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Amélioration des suivis de production grâce à l'intégration d’Autodesk ShotGrid
Fondée en 1986, la société Mac Guff Ligne travaille tout d’abord pour les effets spéciaux dans la publicité, le clip et le documentaire puis le cinéma, en signant les effets de "La Haine", "Dobermann", "Le Petit Poucet" et "Blueberry". En 2006 Michel Ocelot sollicite le studio pour Azur et Asmar. À peine un an plus tard, Chris Meledandri, sélectionne le studio pour produire le film "Moi, moche et méchant". En 2019 ils obtiennent le César du film d'animation avec "Dilili à Paris" de Michel Ocelot. En 2021 Mac Guff a réalisé les effets spéciaux de "Titane" Palme d’Or à Cannes, mais aussi ceux d’ "Oxygène" et "Lupin" diffusés sur Netflix. Mac Guff s’est également illustrée par de nombreuses récompenses techniques pour ses implémentions de l’IA dans la gestion des effets spéciaux (rajeunissement etc…) A l’occasion du développement de son activité, la société recherchait à optimiser son suivi de production.
Optimisation du suivi de production 3D
The Yard est une société créée par une équipe de superviseurs et de producteurs apportant leur expérience sur des productions et projets graphiques de grande envergure. The Yard a notamment une grande expertise dans la création d’effets photoréalistes et a réalisé par exemple les effets spéciaux de Wanda Vision et Le Mans 66. La société cherchait à optimiser son suivi de production 3D et vfx.
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