Dive into the world of Digital Twins and explore the revolutionary advancements in operator experience. This session will provide attendees with an in-depth look at how Digital Twins are changing the game for operators, and how they can drive efficiency, optimize workflows, and take productivity to new heights. We will offer a detailed examination of this industry-shaping technology, including its impact on the operator experience. Attendees will gain valuable insights and learn how Autodesk Tandem and Eptura Asset integrate to connect building spaces and assets, inform decision-making, and update existing workflows for maximum benefit. You won't want to miss this exciting and informative session, as we explore the future of the operator experience and the role that Digital Twins will play. Bring your questions and join us for an interactive and engaging discussion.

Production in the cloud continues to be a growing trend in the media and entertainment industry. Accelerated by the pandemic and ever-growing demand for content, the need for cloud-connected workflows to deliver more, faster has never been greater. As a result, studios are seeking modern solutions to improve pipeline scalability, collaboration, and data management. In this panel, representatives from Autodesk Media and Entertainment product, strategy, and sales, will join our customers to discuss how studios are investing in existing desktop and cloud products to help them achieve desired outcomes today, and how the media and entertainment industry cloud-based software Autodesk Flow will add new value to our customers' digital transformation journey by connecting workflows, data, and teams across the entire production lifecycle—from initial concept to final delivery.

In this session, you'll see how you can maximize innovative VRED, Alias, and Shotgun workflows and tools for your industrial design processes and workflows. Realize the power of the connected solution and see how the software can help you streamline workflows and improve efficiencies. Understand how you can take best practices from automotive design and apply them to the industrial design process.

This class is aimed at architects and visualization professionals interested in learning more about the pipeline, best practices, and tips and tricks for getting a building information modeling (BIM) data set prepped for use in a real-time game engine. The majority of this class will revolve around work done in 3ds Max software, where we'll import a Revit architectural data set, clean and organize the model, set up initial shaders and lighting, and finally export the model for use in a real-time environment. We'll then bring the prepared data set into Unreal Engine, showing the import process. We'll explore how geometry, materiality, and lighting information is translated. And we'll show the process for making future updates to the original data set in 3ds Max, and demonstrate how to seamlessly translate these changes back to Unreal Engine.

In this class, we'll discuss how cloud-based collaboration tools such as Moxion and other third-party tools and Autodesk Flame software can help simplify and optimize remote collaboration such as live review sessions, and feedback processes in VFX Pipeline / Post-Production. This workflow focuses on Flame—a leading software system for compositing, color grading, and visual effects— and Moxion, a cloud-based platform designed for remote media review and collaboration.

This class will present a quick and easy-to-use workflow between Maya software and ZBrush. Maya is the industry-standard software for 3D animation, and ZBrush is the industry-standard software for 3D sculpting. Although both are widely used in the industry, it is not common to see beginner tutorials about the workflow and integration between both software systems. This course will try to fill this gap with plenty of examples and best practices. We will show you how to create basic meshes in Maya, how to refine the basic mesh in ZBrush using Live Boolean, how to go back and forth between both programs using the GoZ plug-in, how to export high and low-poly models back to Maya, and how to create textures in ZBrush and apply them to an Arnold shader, among other interesting topics. In the end, you will have a very good grasp of how to use Maya and ZBrush together.

Creating movies involves a lot of work, including delivering productions with increasingly impressive special effects and realistic computer-generated scenes, all while meeting tight deadlines and compressed budgets. Collaboration and efficiency are essential as complexity increases. This talk will use real-life examples from the film and games industry to show how open technologies can help clients improving collaboration and efficiency while providing strategic benefits for enterprises to contributing to these open technologies.

In this class, we'll walk you through the process of understanding the 3ds Max software development kit (SDK) development and scripting tools to create custom plug-ins and tools for 3D modeling, animation, and rendering. We'll go over the fundamentals of SDK creation, such as the 3ds Max API, MAXScript, and the pymxs Python module. We'll demonstrate how to capitalize on these tools to create custom plug-ins and utilities. You'll learn the fundamentals of MAXScript and pymxs, as well as how to use them to automate operations, alter the 3ds Max interface, and create unique workflows. We'll also go through SDK development in detail and teach you how to create custom tools and plug-ins for 3ds Max. We'll touch on frequent learning mistakes to avoid and learning pathways to ensure productivity throughout the learning process. We'll also provide some pointers on how to handle MaxPlus-to-pymxs porting. And we'll introduce the Autodesk Platform Services Design Automation for 3ds Max service.

Web 3.0 is here, and industries and organizations need to be prepared to upgrade their existing content to 3D at scale. Many brands have already invested in 3D design to improve manufacturing, but haven't yet scratched the surface on the potential scalability with game engines to create interactive training, run simulations for better planning, or create more dynamic sales materials. How should organizations be thinking about their 3D strategies? Join Ashley Crowder, a pioneer in 3D and spatial computing technology, who will demo how 3D assets can be interoperable and used across the metaverse, e-commerce, product lifecycle management (PLM), and more to improve employee training, increase speed to market, and boost sales. She will present case studies—including Kohler, Merrell, and Michael Kors—that provide real-life examples on best practices for 3D designs from AutoCAD, Maya, and 3ds Max software to Unreal Engine, Unity, and web viewers. From design to e-commerce to B2B sales, learn how build a winning 3D strategy.

Discover the power of Twinmotion's advanced visualization capabilities to elevate your Revit design process. This insightful session will delve into the deep integration of Twinmotion into Revit, enhancing decision making and asset management and producing stunning visuals. Through an engaging case study, you'll learn how Twinmotion's real-time rendering, user-friendly features, and Auto-Sync technology enrich the Revit design process. You'll explore Twinmotion's practical applications in Revit projects, creating interactive visualizations with superior asset libraries, dynamic visual effects, and intuitive scene settings. Examine Twinmotion's seamless implementation in real-world projects, understanding its impact on design decisions, client presentations, interdisciplinary collaboration, and model updating. Experience the harmonious pairing of Twinmotion's visualization acuity and Revit software's documentation prowess, which together deliver compelling, innovative architecture.

In today's rapidly evolving technological landscape, workstations stand as pivotal tools that catalyze innovation and drive efficiency across a spectrum of industries. This presentation sheds light on recent innovations in workstations impacting the building design/construction, product manufacturing, and media and entertainment industries. Driven by the rapid implementation of new Autodesk tools and integrated add-ins, these industries are continually pushing the limits of computational requirements. In other words, the software "monster" that we have created (and love) needs to be properly fed. In this session we will discuss innovation in CPU, GPU, I/O, and workstation engineering that can benefit the complex 3D, VR, AI, and Reality Capture workflows.

It's 2023 and you've been wondering "WTF is USD?” You're not alone! Software never stops evolving, and it is easy to feel left behind when new tech enters the scene. Funny enough, that is exactly what USD is aiming to address. USD stands for Universal Scene Description, and it is an open-source initiative, meaning it is being built in a public facing manner, without any single company claiming ownership of its development. Rather, multiple companies share the same vision – a world where sharing production assets among programs is consistent, reliable and easy. In this class you will learn USD's origin, where its currently at in the Media & Entertainment Industry, where it is headed, and how these techniques and technologies add benefit to any industry pipeline.

The digital creation process has made physical models rare. Today, iterative work around form finding, feature line definition, or design definition convergence has to happen digitally on 2D screens. Imagine if you could connect virtual reality (VR) full-scale visualization in VRED software with 3D modeling workflows in Alias software through custom tools that allow designers to sketch tape lines in VR, giving instant feedback to the 3D modeler in Alias—and use ShotGrid software to capture the sketched tape lines to feed downstream digital-modeling activities. Discover how Autodesk Consulting can help you improve collaborative workflows in your studio, going beyond out-of-the-box product capabilities.

In this class, we will go over all the latest details about the Autodesk Platform Services Data Initiatives from an API perspective. Access your design data in a granular fashion using GraphQL in Autodesk Platform Services. If you're a customer, developer, or partner and want to see the latest information about the API status for each of the three platform data areas, then this is the class for you. As you have heard before, Autodesk is investing heavily in cloud data with Autodesk Fusion 360 (manufacturing), Autodesk Forma (AEC /BIM), and Autodesk Flow (media and entertainment) industry groups. At the center is also the Data Exchange service that allows data to be shared in a specific and durable way. From authoring to access, this class will explain the details about each service and how to use the API to access the data. We'll also cover the fact that data can be accessed across each of the information models, and via Data Exchange, in an easy fashion.

A rig does not always start out using bones for the main animation. Sometimes we use other methods—and then we have to find a way to make everything work together. In this presentation, we'll cover such a project. We'll look at the methods used to get the final animation done while still keep everything so procedural that any further changes on the animation can be implemented without any problems.

In this session, we'll show a pipeline concerning the benefits of moving content from Autodesk products to Unreal Engine and Twinmotion Engine.

RADiCAL's artificial intelligence (AI) enables 3D motion capture, animation, and content solutions for film, gaming, and live events for everyone, everywhere. Our AI delivers an end-to-end software-only solution, generatively going straight from a single 2D video to 4D skeletal joint rotations, in real time, requiring no coding, hardware, investment, or training. Camera, browser, internet: done. In this product demo, we'll explain how RADiCAL Live works, how you bring real-time, multiplayer, motion-capture data into Maya software. We'll go into RADiCAL's development road map (including feature sets to be released soon). And we'll cover how we continue to partner with Autodesk in the creation of a truly democratized, end-to-end, cloud-based, collaborative content-creation platform that has AI at its heart.

In this talk, we look at the variety of features and toolsets inside Maya that can be leveraged by artists to create compelling and engaging animated performances, in sometimes unexpected ways.

This class will present a fast, easy-to-use workflow for creating great-looking renders using Maya software with the GPU-based Redshift Renderer. This hands-on class has the indie artist and 3D generalist in mind, instead of the big company with an army of specialized artists. The Redshift Renderer is widely used in the industry and can give you realistic-looking images in a fraction of the time needed with other renderers. Nevertheless, Redshift's integration with Maya can be confusing in the beginning. This class will cut to the chase and show you how to set up your model in Maya; select the correct Redshift shaders; prepare your materials, lights, and lens effects; and finally render your image using the two available modes in Redshift: Production and RT (Real Time). You'll learn about lens effects, denoisers, AOVs, and VDB rendering.