Одним из главных современных трендов в области инноваций, бесспорно, является VR (virtual reality). Студия «Паровоз» не остается в стороне и ищет пути использования возможностей VR в анимации. В процессе поиска оптимальных решений этой непростой задачи, которая требует новых способов повествования истории, студия разработала несколько проектов с погружением в виртуальную реальность, демонстрирующих синергию мультипликации и VR-технологий

Хотите быстро и с легкостью создать заставку для ТВ или к своим видео на YouTube, но как? Ответ будет простой, используйте Maya и набор инструментов MASH.

В последних версиях продуктов Autodesk были добавлены новые средства визуализации, которые пришли на смену Mental Ray: Autodesk Raytracer и Arnold. Теперь в распоряжении пользователя есть удобные современные материалы, расширенные возможности работы с камерами и экспозицией. А современный подход к визуализации позволяет проще переключаться (переносить проекты) между приложениями.

In this session, we’ll walk through real-world examples that showcase how developers and pipeline engineers can programmatically submit, manage, and monitor compute-intensive tasks in the cloud. Using the Job and Resource APIs from the Flow Graph Engine API, you'll learn how to offload simulations, batch process assets, and streamline repetitive workflows using Bifrost as a cloud executor. This API-first approach frees up local machines, accelerates production, and enables scalable parallel execution—helping teams reduce turnaround time and improve pipeline efficiency. Whether you're building internal tools or optimizing large-scale asset generation, this session will offer practical insights into integrating cloud-based compute into your 3D production workflows.

When Fox Nation’s Revolutionary War docuseries called for A-list performances in historic American locations, GO delivered the future. Instead of flying talent across the country, GO recreated the Boston Tea Party and Mount Vernon as immersive SCAPEs using LiDAR, NeRF, and photogrammetry. In this panel, we’ll break down how GO brought Rob Lowe to a virtual Boston Harbor and Kelsey Grammer to a digital Mount Vernon—without ever leaving LA. From Sustainable Design and cost-savings to creative flexibility, this is a case study in Digital Prototyping production, Autodesk integration, and the new blueprint for high-end, low-impact filmmaking.

We believe every content creation organization (CG-VFX) using Flow Production Tracking software in some way faces challenges when transferring data between its offices or with its outsourced vendors and clients. To address these challenges, we designed and developed a UDP-based high-speed application in sync with Flow Production Tracking. FastX is highly reliable for all types of data movements—transfers of scans, work files, final output, multisite/remote renders, CG Files, vendor output, files to DI, disaster safe backup, and final output to clients. Most of the transfers mentioned resemble work related to the CG-VFX industry. But FastX was actually designed to address many industries that deal with high-volume data transfers in daily operations.

This class will present a fast, easy-to-use workflow for creating a dynamic cinematic scene using Maya software (modeling, setup, and animation) and Unreal Engine (layout and rendering). This hands-on class has the indie artist and 3D generalist in mind, instead of big companies with armies of specialized artists. Unreal Engine is widely used in the industry as a powerful, real-time rendering alternative to more-traditional renderers. Unreal Engine is a perfect companion to Maya, letting you achieve high-quality renderers in a fraction of the time needed with other renderers. Nevertheless, Unreal Engine’s integration with Maya can be very confusing for beginners. This class will cut to the chase and show you how to set up your cinematic scene in Maya, and give you best practices to properly export it to Unreal Engine. Then we will show you how to set up everything again inside Unreal Engine, how to lay out your cameras and edit in Unreal Sequencer, how to apply post effects, and, finally, how to export your final cinematic scene.

In this session, we’ll explore the fundamentals of creating expressive facial animation in Maya software, with a strong focus on design and appeal. From understanding key facial shapes to enhancing emotions with nuanced details, we’ll break down essential techniques that bring characters to life. We’ll also discuss how strong posing, clear silhouettes, and exaggeration contribute to readability and charm, ensuring that every expression feels intentional and engaging. This lecture will provide insights to elevate your facial animation with both technical precision and artistic appeal.

3D layout is a critical component of the 3D animation production workflow. Working from storyboards, the layout artist builds the first 3D representation of that storyboard in a cinematic form by using the models created by the rest of the crew. The layout artist will set up cameras, and decide which lenses to use, where to position the lights, and how to lay out the 3D environment and props. They will then roughly animate the characters, either manually or with motion capture. The end result is a rough version of the scene that will be passed to the animation department. To be a good layout artist, a person needs to have a very good knowledge of Maya software, as well as a good mastery of cinematography concepts. This presentation will go though some basic concepts of cinematography that every layout artist needs to know. And then it will show how to create a 3D layout scene inside Maya step by step, starting from a 2D storyboard.

This talk explores Zaha Hadid Architects’ human-centred design methodology, shaped by behavioural insight, immersive tools, and real-time collaboration. Projects begin with client profiling and spatial scenario testing, using AI, VR, and procedural design to explore preferences for openness, privacy, and atmosphere. The design workflow integrates Autodesk tools such as Revit for BIM and Maya for sculptural modelling, coordinated through NVIDIA Omniverse to maintain real-time design and performance feedback across disciplines. As projects evolve, materials, engineering systems, and fabrication strategies are layered into a cohesive, experience-driven architecture. Communication remains immersive and participatory, using 360° views and simulation tools to keep stakeholders involved. The talk reframes architecture as an adaptive, user-driven system — scalable, precise, and powered by technologies that connect emotion, performance, and spatial intelligence.

About $2 trillion, that’s the amount of money the architecture, engineering, and construction (AEC) industry lost due to bad data—data that is inaccurate, inaccessible, and incomplete. In the industries Autodesk serves, data is a critical lifeline for project decisions and Automation, Integration, & Customizations. But all too frequently, that data is not easily accessible, or, even worse, the available data is simply bad. Across the globe, the ability to use data in an insightful manner is no longer a nice-to-have. It has become a primary source of competitive advantage. Furthermore, with acceleration of artificial intelligence (AI), the need for data is increasing exponentially. Those who use their data to make informed decisions and gain performance insights will ultimately emerge as leaders in their industries. Meet the leaders behind the industry data models to learn more about how Autodesk will solve top customer problems.

Carleton Immersive Media Studio (CIMS) has been involved in the 3D modeling of judicial evidence for homicide cases since 2015. The lab has refined its modeling workflows based on the established use of reality capture (photogrammetry) and BIM (Building Information Modeling) to model artifacts and buildings. Working with the coroner’s office, CIMS has incorporated newer forms of 3D modeling and real-time rendering to establish a standard for displaying digital representations of photographic evidence in a courtroom setting. In this class, we’ll cover our modeling process, starting with analyzing evidence to presenting the data in a user-friendly format. Utilizing Maya software, we’ll model a series of anatomical base meshes that we’ll then manipulate to show inflicted injuries. Next, we’ll texture map the models in Mudbox using photos as reference. Finally, we’ll combine the pieces in Unreal Engine using a template. The addition of blueprints and widgets complete the final product.

Jason Martinsen is an animation industry professional with 18 years of animation experience at companies like Naughty Dog, Sony, Blue Sky, DNEG, Coalition, Moon Studios, and Reel FX. In this session, he will talk about some animation tips and tricks he’s learned throughout the years. He will gear the discussion toward animation professionals and students, and the topics covered will use terminology unfamiliar to non-animators.

As part of our 2021 product releases, many products will include a faster install and easier deployment experience that will automate critical updates, customize and streamline deployment, and let users get up and running instantly without any downtime. Come learn from an expert about the new install experience!

Explore the fusion of ancient culture and modern technology in the Longmen Grottoes metaverse project by Xu Hui Design Co., Ltd. Discover how Autodesk software was instrumental in creating a digital replica of this UNESCO World Heritage Site. This session will cover the innovative process—from 3D modeling with Autodesk tools to virtual space planning—culminating in a metaverse experience that preserves and promotes cultural heritage. Learn about the challenges of digitizing intricate sculptures and the impact on sustainable tourism and education. This case study is for professionals interested in the intersection of technology, cultural preservation, and the future of interactive learning experiences.

In this workshop, we'll discuss how we used Maya software to create our short film Scrap Metal. We will take a deep dive into what kickstarted the project, how we got it funded, and all the technical and creative challenges. We'll also talk about managing a short film of this scale and complexity on an indie budget. At the end, we'll discuss the further development of the IP, and where we want to go next.

In this session, we will show the new media and entertainment Autodesk Platform Services-oriented software and give an introduction to how the APIs work. The Autodesk Platform Services Flow Graph Engine API is already in beta, with the Media and Entertainment Data Model coming soon to support the Flow Asset Management tools. This class will focus on those features that will also be included in the digital content creation (DCC) tools, but from an API perspective to show how customers can automate and access the data and functionality in an automated way.

Join Zaha Hadid Architects (ZHA) to discover its journey of adopting and deploying OpenUSD to build an interoperable Spatial Technology Stack (STS) with tools that include Maya software, 3ds Max software, Epic Unreal, and McNeel Rhino. The STS lets ZHA build immersive digital twins that enable deeper integrations between design and construction, enhance spatial experiences, and increase efficiencies in design and review cycles. In the session, we'll cover how no-code or low-code platforms and APIs, such as NVIDIA Omniverse, are enabling ZHA to build proprietary tools. These tools allow the firm to interact with and manipulate its data sets in processes such as robotics and digital fabrication. This approach reduces material waste while increasing sustainability and innovation. Join us to explore how this innovative approach revolutionizes architectural design, making it more engaging, responsible, and accessible to the architecture, engineering, and construction industry.

In this session, we'll introduce GraphQL and explore how it is being used to deliver the promise of "granular" data. As you have heard before, Autodesk is investing heavily in cloud data with Autodesk Fusion (manufacturing), Autodesk Forma [architecture, engineering, and construction; building information modeling (BIM)], and Autodesk Flow (media and entertainment) industry groups. At the center is also the Data Exchange API that allows data to be shared in a specific and durable way. From authoring to access, this class will explain the details about each software system, and how to use the GraphQL API to access the data. We'll also cover the fact that data can easily be accessed across each of the information models, and via Data Exchange.

Although the character-animation process has been largely digitized, the fundamental approach has remained relatively unchanged for more than a century. Animators create performances by creating key poses, which they then string together in a sequence to create motion. They continue to add and finesse these keyframes until they get a believable performance. In this presentation, we will demonstrate a new approach to character animation that uses AI to transform the way animators work. With neural motion controllers, we use machine learning to model how characters move and behave. An animator then only needs to specify high-level intent, like when and where they want the character to move, and the neural motion controller does the tedious work of producing natural, believable motion. We will also demonstrate that by connecting this new technique with core Autodesk capabilities, we can create a production-ready workflow where animators retain full artistic control over the final animation.