AZ2ZgMjz0LFGHCPn4xMDoxOjBrO-I4W8
Shading And Texturing Workflow
Lecture    VI4947
Neil Blevins
[up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-firstName] [up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-lastName]
[up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-badges]
[up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-firstName] [up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-lastName]
[up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-jobTitle]
[up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-company]
[up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-metrics]
Share Share
Comment Comment
Bookmark Bookmark
You must be signed in for this action Sign in
Close
AZ2ZgMjz0LFGHCPn4xMDoxOjBrO-I4W8
Collapse Expand

Description

In this intermediary class I will discuss the theory behind my workflow for shading and texturing environments, props, and characters. These techniques can be used to texture any high-resolution object, whether for visual effects, animated films, video game cinematics, or even architectural work. We will discuss shaders, as well as available methods for applying textures to your models. We will also cover pattern creation methods, from procedurals to hand-painted textures to photo manipulation. We will focus on how to efficiently shade thousands of individual objects without having to spend a lot of time UV shading everything (although we will touch on UV shading). Many of the examples will use 3ds Max software, Mudbox software, Chaos Group's V-Ray rendering engine, and Adobe Photoshop—but you can apply the principals discussed to the 3D app, paint application, and renderer of your choice.

Key Learnings

  • Learn how to choose which texturing method to use for each specific situation
  • Learn lots of tips and tricks
  • Gain a better understanding of procedural shading and paint
  • Learn how to quickly texture many objects

Speakers

userPhoto.jpg
Neil Blevins started off painting and drawing traditionally, and then got into 3d graphics while still living in his home country of Canada. After getting a BFA in Design Art, he moved to Los Angeles where he worked for Blur Studio. He now lives in San Francisco working as a Technical Director for Pixar. In his spare time, he makes sci-fi 3d/2d hybrid artwork, author tools and writes art related lessons and tutorials for his website.
[up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-firstName] [up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-lastName]
[up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-badges]
[up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-firstName] [up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-lastName]
[up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-jobTitle]
[up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-company]
[up-wL6RiVgCsCLKliDDQQODqQ%3D%3D-metrics]
close
Transcript

Share Class

close-24

Comments

Login to join the discussion.
0 comments in this class
Be the first to share your thoughts.
close-24