Production in the cloud continues to be a growing trend in the media and entertainment industry. Accelerated by the pandemic and ever-growing demand for content, the need for cloud-connected workflows to deliver more, faster has never been greater. As a result, studios are seeking modern solutions to improve pipeline scalability, collaboration, and data management. In this panel, representatives from Autodesk Media and Entertainment product, strategy, and sales, will join our customers to discuss how studios are investing in existing desktop and cloud products to help them achieve desired outcomes today, and how the media and entertainment industry cloud-based software Autodesk Flow will add new value to our customers' digital transformation journey by connecting workflows, data, and teams across the entire production lifecycle—from initial concept to final delivery.

In this class, we will go over all the latest details about the Autodesk Platform Services Data Initiatives from an API perspective. Access your design data in a granular fashion using GraphQL in Autodesk Platform Services. If you're a customer, developer, or partner and want to see the latest information about the API status for each of the three platform data areas, then this is the class for you. As you have heard before, Autodesk is investing heavily in cloud data with Autodesk Fusion 360 (manufacturing), Autodesk Forma (AEC /BIM), and Autodesk Flow (media and entertainment) industry groups. At the center is also the Data Exchange service that allows data to be shared in a specific and durable way. From authoring to access, this class will explain the details about each service and how to use the API to access the data. We'll also cover the fact that data can be accessed across each of the information models, and via Data Exchange, in an easy fashion.

Creating movies involves a lot of work, including delivering productions with increasingly impressive special effects and realistic computer-generated scenes, all while meeting tight deadlines and compressed budgets. Collaboration and efficiency are essential as complexity increases. This talk will use real-life examples from the film and games industry to show how open technologies can help clients improving collaboration and efficiency while providing strategic benefits for enterprises to contributing to these open technologies.

In this session, we'll show a pipeline concerning the benefits of moving content from Autodesk products to Unreal Engine and Twinmotion Engine.

It's 2023 and you've been wondering "WTF is USD?” You're not alone! Software never stops evolving, and it is easy to feel left behind when new tech enters the scene. Funny enough, that is exactly what USD is aiming to address. USD stands for Universal Scene Description, and it is an open-source initiative, meaning it is being built in a public facing manner, without any single company claiming ownership of its development. Rather, multiple companies share the same vision – a world where sharing production assets among programs is consistent, reliable and easy. In this class you will learn USD's origin, where its currently at in the Media & Entertainment Industry, where it is headed, and how these techniques and technologies add benefit to any industry pipeline.

While professional artists use high-fidelity animation techniques—pioneered and refined by Autodesk's animation products MotionBuilder, 3ds Max, and Maya—in games, film, and design production pipelines, we ask the questions: What if the user is not as skilled? What if their requirements for control are not as stringent Could we leverage new input modalities to allow untrained creators to record and edit 3D motion in just a few minutes? We'll discuss the speed and utility afforded by animating in a completely new paradigm: One that allows you to express intent with your body, fingers, face, gaze, and speech while enhancing presence, storytelling, and collaboration in real-time immersive experiences, and engaging your spatial understanding, reasoning, and memory to author 3D animations. Come and hear what our panel of experts from Meta Platforms, Workshop XR, Entertainment and Media Solutions as well as Autodesk Research have to say.

In today's rapidly evolving technological landscape, workstations stand as pivotal tools that catalyze innovation and drive efficiency across a spectrum of industries. This presentation sheds light on recent innovations in workstations impacting the building design/construction, product manufacturing, and media and entertainment industries. Driven by the rapid implementation of new Autodesk tools and integrated add-ins, these industries are continually pushing the limits of computational requirements. In other words, the software "monster" that we have created (and love) needs to be properly fed. In this session we will discuss innovation in CPU, GPU, I/O, and workstation engineering that can benefit the complex 3D, VR, AI, and Reality Capture workflows.

The rapid evolution of artificial intelligence (AI) has opened new frontiers for creative expression and world building, transcending traditional boundaries of imagination. This session will explore the potential of AI-generated worlds in fostering empathy, rituals, and community building, while reflecting on the environmental challenges faced in the Anthropocene. We’ll discuss a case study of an imagined world, that we call Eden. This world was designed to have one-to-one mirrors of the relationships formed between ecosystems on planet Earth, while being different enough to avoid an uncanny valley effect. We’ll highlight the role of AI-generated worlds in providing a mirror for understanding our own planet and community, emphasizing the importance of empathetic practices for planetary interests.

In this class, we'll discuss how cloud-based collaboration tools such as Moxion and other third-party tools and Autodesk Flame software can help simplify and optimize remote collaboration such as live review sessions, and feedback processes in VFX Pipeline / Post-Production. This workflow focuses on Flame—a leading software system for compositing, color grading, and visual effects— and Moxion, a cloud-based platform designed for remote media review and collaboration.

This class will present a quick and easy-to-use workflow between Maya software and ZBrush. Maya is the industry-standard software for 3D animation, and ZBrush is the industry-standard software for 3D sculpting. Although both are widely used in the industry, it is not common to see beginner tutorials about the workflow and integration between both software systems. This course will try to fill this gap with plenty of examples and best practices. We will show you how to create basic meshes in Maya, how to refine the basic mesh in ZBrush using Live Boolean, how to go back and forth between both programs using the GoZ plug-in, how to export high and low-poly models back to Maya, and how to create textures in ZBrush and apply them to an Arnold shader, among other interesting topics. In the end, you will have a very good grasp of how to use Maya and ZBrush together.

This class will present a fast, easy-to-use workflow for creating great-looking renders using Maya software with the GPU-based Redshift Renderer. This hands-on class has the indie artist and 3D generalist in mind, instead of the big company with an army of specialized artists. The Redshift Renderer is widely used in the industry and can give you realistic-looking images in a fraction of the time needed with other renderers. Nevertheless, Redshift's integration with Maya can be confusing in the beginning. This class will cut to the chase and show you how to set up your model in Maya; select the correct Redshift shaders; prepare your materials, lights, and lens effects; and finally render your image using the two available modes in Redshift: Production and RT (Real Time). You'll learn about lens effects, denoisers, AOVs, and VDB rendering.

A rig does not always start out using bones for the main animation. Sometimes we use other methods—and then we have to find a way to make everything work together. In this presentation, we'll cover such a project. We'll look at the methods used to get the final animation done while still keep everything so procedural that any further changes on the animation can be implemented without any problems.

In this talk, we look at the variety of features and toolsets inside Maya that can be leveraged by artists to create compelling and engaging animated performances, in sometimes unexpected ways.

This class is aimed at architects and visualization professionals interested in learning more about the pipeline, best practices, and tips and tricks for getting a building information modeling (BIM) data set prepped for use in a real-time game engine. The majority of this class will revolve around work done in 3ds Max software, where we'll import a Revit architectural data set, clean and organize the model, set up initial shaders and lighting, and finally export the model for use in a real-time environment. We'll then bring the prepared data set into Unreal Engine, showing the import process. We'll explore how geometry, materiality, and lighting information is translated. And we'll show the process for making future updates to the original data set in 3ds Max, and demonstrate how to seamlessly translate these changes back to Unreal Engine.

If you want to learn more about how to use visual, generative, artificial intelligence (AI) tools in your workflows, then this class is for you. Regardless of their industry, artists and designers are discovering the advantages of an AI-powered workflow, making their processes faster, and allowing them to iterate over their products in ways that wouldn't have been possible or cost-effective before. We'll examine and cover the strengths and weaknesses of different tools, such as Midjourney, Dall-E, Stable Diffusion, and some plug-ins for Revit software. Most importantly, we'll go over use cases for different industries that go beyond simple text prompting to give artists and designers more control over finished products. We'll showcase how we can use generative AI as a powerful visualization tool for creating images and even videos, and how it can help unleash creativity in game design, media, and building design.

Discover the power of Twinmotion's advanced visualization capabilities to elevate your Revit design process. This insightful session will delve into the deep integration of Twinmotion into Revit, enhancing decision making and asset management and producing stunning visuals. Through an engaging case study, you'll learn how Twinmotion's real-time rendering, user-friendly features, and Auto-Sync technology enrich the Revit design process. You'll explore Twinmotion's practical applications in Revit projects, creating interactive visualizations with superior asset libraries, dynamic visual effects, and intuitive scene settings. Examine Twinmotion's seamless implementation in real-world projects, understanding its impact on design decisions, client presentations, interdisciplinary collaboration, and model updating. Experience the harmonious pairing of Twinmotion's visualization acuity and Revit software's documentation prowess, which together deliver compelling, innovative architecture.

Digital models are the key to unlocking improved sustainability and lower costs in product design. This session will explore groundbreaking techniques for using 3ds Max and Maya software to create realistic 3D assets that designers can trust and rely on, eliminating the need for physical samples. Discover how physically based rendering (PBR) extensions generate assets with an accurate and tactile appearance. Learn how to render PBR assets consistently across various contexts for seamless collaboration. See how to maximize reusability by creating asset variations for other departments once the design is complete. Based on real-life examples from major retailers, this session demonstrates the compelling advantages of digital design: significantly reducing waste, eliminating delays, and cutting costs throughout the design process. Revolutionize your product design workflow with 3D assets that replace the real thing.